(1907-1981) First generation New York abstract expressionist artist
sculptor, painter, draughtsman
"…the conflict in Sullivan was again symbolized by a flower like the thistle. I think this was really no accident, he was attracted to something Setoch in his ancestry, or even the motive closely related to Ireland by geographical proximity; it really has nothing to do with the real quality of conflicts that occurred in the man, and reaching out for symbols, he found that this could express it as well as anything else." [Theodore Roszak Interview with Elliott, February 13, 1956, p.28]
"…the conflict in Sullivan was again symbolized by a flower like the thistle. I think this was really no accident, he was attracted to something Setoch in his ancestry, or even the motive closely related to Ireland by geographical proximity; it really has nothing to do with the real quality of conflicts that occurred in the man, and reaching out for symbols, he found that this could express it as well as anything else." [Theodore Roszak Interview with Elliott, February 13, 1956, p.28]
cut and welded steel
41 3/8 x 40 1/2 x 30 inches (105.2 x 102.9 x 76.3 cm)
Collection: Smithsonian American Art Museum, Washington D.C. Gift of the Sara Roby Foundation (1986).
Study for Thistle in the Dream, 1955
black and brown Ink and wash on paper on cream heavy textured cold pressed wove
21.75 15 inches
Collection: David Owsley Museum of Art, Ball State University, Muncie, IN (2006).
Study for Thistle in a Dream, 1954
Pen and brown ink on paper
11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection: Whitney Museum of American Art, New York; Gift of Mrs. Theodore Roszak (1979).
Spring, 1948
Ink with wash on paper
10-7/8 x 15-1/8 inches
Collection: Palmer Museum of Art at Penn State University, PA. Purchased with funds from the Terra Art Enrichment Fund (2005).