(1907-1981) First generation New York abstract expressionist artist
sculptor, painter, draughtsman
"There is a kind of reference to ecclesiastic form here (there is the candelabra, and there is a kind of chalice form), so that in many ways this invokes a kind of spiritual requirement and association, rather than the survival characteristics in the "Invocation I" series. What I have done in the three is to try to see all of these put together and to symbolize a quality that gets outside even of the third category. It perhaps embodies most of the forms that I have done in this one structure."
[Theodore Roszak Interview with Elliott, 1956, p.17]
"There is a kind of reference to ecclesiastic form here (there is the candelabra, and there is a kind of chalice form), so that in many ways this invokes a kind of spiritual requirement and association, rather than the survival characteristics in the "Invocation I" series. What I have done in the three is to try to see all of these put together and to symbolize a quality that gets outside even of the third category. It perhaps embodies most of the forms that I have done in this one structure."
[Theodore Roszak Interview with Elliott, 1956, p.17]
Invocation II, 1950-51
Steel
19 inches
Collection: Eli and Edythe Broad Art Museum, Michigan State University. Purchased by MSU 1959.
Studies for Invocation #2, 1948
Pen, ink and watercolor wash on rough wove paper
14 1/16 x 10 inches
Collection: Eli and Edythe Broad Art Museum, Michigan State University. Gift of the Estate of Theodore Roszak (2005).
Untitled (Invocation), 1948
Black and gray ink, gray and brown wash, and graphite on cream wove paper
11 5/16 x 14 7/16 inches (28.8 x 36.6 cm)
Collection: Harvard Art Museums/Fogg Museum. Cambridge, MA. Margaret Fisher Fund (2006)